What kind of world do we want, and what will we do to achieve it? Those are the questions with which Alejandro Monteverdi’s Cabrini leaves us at the end of …

Does the movie “secularize a saint”? Reckoning with the curious dearth of God talk and overt religiosity in this faith-based biopic about the founder of a religious community

In which I chat with the editor of a collection of essays about the Arts & Faith Top 100 films about my contribution to the book

Wildcat bills itself as “based on short stories by Flannery O’Connor,” though it could equally be said to be based on O’Connor’s letters (the source for much of Flannery’s dialogue) and …

Is there no hope? This desperate question hangs over the previous film in the saga, Miller’s 2015 extravaganza Mad Max: Fury Road. Now, the same question haunts Furiosa, an epic …

The Fury Road prequel is a satisfying return to the world of the demented 2015 film—but there were two missed opportunities, relating to Immortan Joe’s Wives and Furiosa’s revenge.

Is it possible to tell meaningful stories in a multiverse premise? Or does the multiverse idea tend toward nihilism?

Sometimes it seems like the universe is sending you a message. In the MCU, the calls are coming from inside the house.

A question worth asking of a story, then, is: “Is there room for God in this story, in this world?”

The decency and goofy sweetness of the King films continue in Paddington in Peru, though the broader moral and social themes are lost in the quest adventure plot.