What if the four elements had feelings? Pixar filmmaker Peter Sohn’s gentle, compassionate storytelling may have something to offer family audiences … if he can break away from what has …

Laura Linney stars in an Irish comedy set in 1967 about a group of women confronting their past on a pilgrimage to Lourdes. The director talks about the trauma that …

Eight years earlier, The Exorcist offered a gut-wrenching morality tale about, among other things, the spiritual dangers of messing around with Ouija boards and demons. The climax of Raiders offers …

What the Mission: Impossible series discovers in this moment is this: Imperfect stunts can be more thrilling than perfect ones, and an unflappable superman who always knows exactly what to …

In my reviews of Dune: Part One and now Dune: Part Two (filed and pending publication; stay tuned!) I’ve written a bit comparing and contrasting Dune with Star Wars. Here …

There’s something bracing about a blockbuster epic in 2024 that doesn’t care what you think of it, that is primarily concerned with being the best possible version of itself.

What kind of world do we want, and what will we do to achieve it? Those are the questions with which Alejandro Monteverdi’s Cabrini leaves us at the end of …

Does the movie “secularize a saint”? Reckoning with the curious dearth of God talk and overt religiosity in this faith-based biopic about the founder of a religious community

In which I chat with the editor of a collection of essays about the Arts & Faith Top 100 films about my contribution to the book

Wildcat bills itself as “based on short stories by Flannery O’Connor,” though it could equally be said to be based on O’Connor’s letters (the source for much of Flannery’s dialogue) and …