What kind of world do we want, and what will we do to achieve it? Those are the questions with which Alejandro Monteverdi’s Cabrini leaves us at the end of …
There’s something bracing about a blockbuster epic in 2024 that doesn’t care what you think of it, that is primarily concerned with being the best possible version of itself.
The Fury Road prequel is a satisfying return to the world of the demented 2015 film—but there were two missed opportunities, relating to Immortan Joe’s Wives and Furiosa’s revenge.
Is there no hope? This desperate question hangs over the previous film in the saga, Miller’s 2015 extravaganza Mad Max: Fury Road. Now, the same question haunts Furiosa, an epic …
Wildcat bills itself as “based on short stories by Flannery O’Connor,” though it could equally be said to be based on O’Connor’s letters (the source for much of Flannery’s dialogue) and …
In which I chat with the editor of a collection of essays about the Arts & Faith Top 100 films about my contribution to the book
A question worth asking of a story, then, is: “Is there room for God in this story, in this world?”
Sometimes it seems like the universe is sending you a message. In the MCU, the calls are coming from inside the house.
Is it possible to tell meaningful stories in a multiverse premise? Or does the multiverse idea tend toward nihilism?
Long before Catholic writer Flannery O’Connor raised her famous peacocks as an adult in rural Georgia, she kept canaries and chickens at 207 E. Charlton St., her childhood home in Savannah. A …
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