Parish pays tribute to Annunciation shooting victims through sacred fresco

When a deadly shooting devastated Annunciation Catholic School in Minneapolis on Aug. 27, 2025, a neighboring Catholic parish quietly provided support to the school, opening its doors for the parish school’s needs.

Now, Our Lady of Grace is memorializing that connection in a fresco by Minnesota-based artist Mark Balma.

Balma is in the process of painting two large frescoes at the altar of Our Lady of Grace. On the right, already finished, is an image of Mary and the angel at the Annunciation. Green and blue ribbons painted in the bottom-right corner pay tribute to the school and the community.

Our Lady of Guadalupe with the unfinished fresco, left, and the completed Annunciation fresco, right. | Credit: Photo by Rámond Mitchell
Our Lady of Guadalupe with the unfinished fresco, left, and the completed Annunciation fresco, right. | Credit: Photo by Rámond Mitchell

“In the centuries-old tradition of Catholic sacred art, images have always carried more than beauty — they carry the prayers, memories, and stories of the communities who create and encounter them,” Rámond Mitchell, director of liturgy for Our Lady of Grace, told EWTN News.

“Sacred art has a unique ability to hold memory, communicate faith, and invite people into prayer,” Mitchell continued.

“Because our two communities had walked so closely with one another through such a difficult time, we wanted to create a lasting remembrance within our own sacred space as a reminder of the people we accompanied, the lives that were forever changed, and the hope and faith that sustained us,” Mitchell said.

Meaning of the ribbons

Balma painted blue-and-green ribbons onto a vase within his Annunciation fresco as a tribute to the community of Annunciation Church and School.

Mitchell explained how blue-and-green ribbons were an important symbol to the community after the shooting.

“Following the shooting, people throughout the surrounding community tied blue-and-green ribbons to doors, trees, lampposts, fences, and other places as a visible sign of solidarity and remembrance,” Mitchell said.

“In the fresco, the ribbons are tied around a water jug beside Mary. We wanted the ribbons to feel integrated into the scene rather than separate from it,” Mitchell continued. “The water jug is an ordinary object, much like the ordinary details of daily life that surrounded Mary when the angel appeared to her.”

Close-up of Mark Balma’s Annunciation fresco. | Credit: Photo by Rámond Mitchell
Close-up of Mark Balma’s Annunciation fresco. | Credit: Photo by Rámond Mitchell

“In that way, the ribbons become part of an ordinary moment that has been transformed by the presence of God and a reminder of the Annunciation community and of the sacredness of their lives and stories,” Mitchell continued.

Balma, who was in the Twin Cities at the time of the shooting, was asked to “find a way to honor the Annunciation community.”

“This tragedy really touched me and I prayed for guidance at how to best honor the children and families,” Balma told EWTN News.

“As a painter I try to find within Scriptures a word or concept that might help me unlock a vision to reveal a fresh way to transform the words into images,” Balma said. “For instance in the Annunciation fresco, the line ‘I am the handmaid of the Lord’ became the focal point of the imagery.”

“My concept for the Annunciation fresco is different than most historical depictions. They usually place an older-looking Mary in a room or cloister visited by Gabriel and the Holy Spirit,” Balma said. “As I studied the Scriptures, I found no reference to her being in a room.”

Balma pointed out that at the time of the Annunciation, Mary “was not that much older than the children” of Annunciation School.

“I imagined the 14-year-old Mary as carrying on her daily chores like going to the well for water,” Balma said. “So full of beautiful symbolism, the water vase then became the place I could attach the ribbons that were placed in the community in remembrance of the children.”

“Water is healing, and tying the ribbons around the vase seemed to be the heartfelt way to honor the children,” Balma said.

A detail in a fresco by Mark Balma pays tribute to victims of the Annunciation school shooting. |Credit: Courtesy of Our Lady of Grace Parish
A detail in a fresco by Mark Balma pays tribute to victims of the Annunciation school shooting. |Credit: Courtesy of Our Lady of Grace Parish

Sister communities

The community at Our Lady of Grace stepped up after the shooting; it was a tragedy that struck them deeply.

“Annunciation is not far from Our Lady of Grace, and there have long been many connections between our two communities,” Mitchell said. “Some of our parishioners attended Annunciation themselves, while others have children or grandchildren who attended the school. Our teachers knew teachers there, and some members of our parish community were neighbors or friends of students, staff, and families affected by the shooting.”

Study of vase by Mark Balma at the altar at Our Lady of Guadalupe. | Credit: Photo by Rámond Mitchell
Study of vase by Mark Balma at the altar at Our Lady of Guadalupe. | Credit: Photo by Rámond Mitchell

“Because of those relationships, the tragedy was felt very deeply at Our Lady of Grace,” Mitchell said. “In the aftermath, our parish and school community was able to offer a place of safety, hospitality, prayer, and support. Our campus became a place where members of the Annunciation community could simply be together when so much of their world had been disrupted.”

The principal of Annunciation was present at the live painting session when Balma painted the ribbons into the fresco, which was a particularly significant moment, Mitchell said.

“Having members of the Annunciation community participate in and witness the creation of the work has made the memorial even more meaningful,” Mitchell said.

Other artwork by Mark Balma. | Credit: Courtesy of Mark Balma
Other artwork by Mark Balma. | Credit: Courtesy of Mark Balma
Triptych by Mark Balma. | Credit: Courtesy of Mark Balma
Triptych by Mark Balma. | Credit: Courtesy of Mark Balma

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